Whenever I see the police in Tirol, I think spontaneously in the police music Tyrol. The 44 musicians and 6 musicians and their conductor Werner Eberl is so successful in fact, with its Music to build the bridge between the police and the population. This is certainly in large part because the police musician "real" policemen and "only" for the samples and disengagement are exempted from duty. For me, arises from the fact that they are enthusiastic about equally for their service and for the music, because otherwise they would the police so not musical repräsentieren.Bei a police car in Bavaria I think in any event not bound by the Band of the Bavarian police and the Federal Police.
a huge role in the exciting action in any case, the conductor Werner Eberl.
His joy and commitment I am fascinated at every concert again. As a viewer can see his smiling face only after he turns to applause. He does not even immediately after the last note. He first looks for eye contact with his musicians to round out the piece. Maybe he says something to them, maybe he is a character that is not visible from behind. For my impression he creates a unity of all the musicians and conductor, that he does not see itself as the overall leader with any airs and graces, but he knows that a great concert is only possible if all pull together.
This positive attitude carries over to the audience, so I of each concert the police music Tirol always a bit of motivation to take home.
Regular concert-goers already know the opening piece, the march of the Tyrolean police, but simple is always nice. "Festive prelude" by Hans Bauer damage was then the next track, the traditional start of the first part of the concert.
Textilaku, the march of the textile workers was performed, the next piece. Through the program, the drum major Mark Schiffer used sympathetically and skilfully led. At the beginning, but put briefly the question of whether to really be it. But the statement followed immediately - the batteries in the microphone were empty and had to be replaced.
This explains he Suppé brigandage that the premiere took place 1867th Due to a weak libretto of success remained, first. Only in 1955 it had been resting after a review of a comic opera, the overture, the police music Tyrol. In the beginning it sounded but not at all bandits - or had the police well in hand? After a slow start with an oboe solo swing came in the matter. Again to a slow middle section was followed by a turbulent end, in which one could imagine a few musical tricks of the bandits.
Eduard Strauss has unfortunately burned in 1907 almost 1 million sets of notes. What is left are only some 300 compositions, of which Werner Eberl for his musicians had fast polka "Electric" is selected. Strauss is just always good - you must not say more.
"Dancing I should like" in Kalman Czardasfürstin announced us as the drum major next play. Shame is on him really is that he makes his presentations from the last row, where he happens to have a drummer its use. With such a large orchestra with 50 musicians on stage, it is usually tight, so that it can not find a comfortable way forward. Neja, but better be nice from the back row, as of forward and bland.
"Dancing I should like," So. As memories of past concerts were and the dancing of two musicians. But this time, no one liked to dance, not even the spa guests from Bad Häring, although Mark Schiffer extra permission from the physician at the resort had caught up ... Musically, there was this much more than just the familiar melody line.
The march Viribus Unitis "that can be associated with Emperor Franz Josef I and was a warship, the transition from classical to the modern part of the concert. It was played without a break, and this time there were no awards for courageous Bad Häringer citizens. Perhaps - the better solution - there were no crimes last year. Perhaps there was simply nothing to watch and support to notify the police. Contemporary
part = instrument change. The two oboe players disappeared, so that the front was left quite empty. One of them picks up the electric bass, the other for trumpet. One more proof (along with Franz Posch clarinet and flugelhorn and my own tests) that a wood and brass heart can beat in one breast. And part of the clarinetist and one of the flutists changed to the saxophone.
"drivers on the road" was broadcast every day from 1957 to 1999 Ö1. The title tune "panel to" Werner Müller was heard and certainly raises all the friends of the program some memories.
Film Music from "The Third Man by Anton Karas, a zither player from Vienna, was followed. The piece began with a samba, which could shake the strong drum major, the small rattles with which we were allowed to leave the blower in the rhythm exercise our discretion to the test. Solo passages were included for the horns and saxophones, as well as for the flute in front of a drum rug. And the conductor was to ever loose for the tasks ahead and closed the piece with a clever hip movement. His soloists, he thanked himself with enthusiastic applause, which the audience followed, of course you.
At the "Tuxedo Junction" There was a night club, the Glen Miller had converted into sound. This conjured up the police music Tirol real groove in the bathroom Häringer Kursaal. At the trumpet solo was Kapellmeister Eberl erfürchtig to the side to the view of the soloists do not adjust.
During the presentation to the next track, Werner Eberl left hidden behind the curtain. Something he had taken from a bag, but hid it from my prying eyes still behind the Rücken.Markus Schiffer, meanwhile, reported on "Thriller", the first cross-cultural pop album. Interpretations were so far failed miserably, he said. Hmm, I would like to be his view of the burner to Bozen Brass . Lead There is a real thriller in Black Or White . But what the police music Tyrol with its "top-Zombie" delivers, and all honor was worth.
shiny with a silver hat and a silver (outside) glove Werner Eberl conducted the piece. It glittered and sparkled just so, and to fit again his beaming face at the applause. A great idea that should help to refute the stereotype of one or other of the police.
After so much excitement it was then but take the time to the landing at the end of the concert. The oboist returned to their places front back left, and the saxophones came back into the stand. For the Florentine March was asked the classic wood again. Two piccolos and a flute solo at the beginning ensured, while the slow part was in the middle over here the first time by the oboe and the second time by the clarinets.
course that could not be the last piece of the concert. Only after 4 additions, the police music Tyrol was dismissed from the stage. Traditionally one of the marches was conducted by the conductor of the miners' band Bad Häring.
by the enthusiasm and passion, the Kapellmeister Werner Eberl has again shown, many other conductors could also executives from all sectors to cut a good slice. The success would give them certain rights.
Speaking Success: The Police Music Tirol working on a new CD. I'm excited and look forward to it already!
Source: Wind Music Blog, Marion Engel
http://blog.blasmusik360.de/polizeimusik-tirol-konzert-bad-haering/ # more-932
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